Somewhere in Time and the Oscar-winning Out of Africa) will find much to admire here. Barry's first non-soundtrack release in a quarter-century plays like a symphonic trance, his singular genius for emotionally longing string and brass arrangements occasionally punctuated here by a lethargic, distant saxophone, plaintive harmonica, or mournful solo-horn phrase. But those previously unswayed by Barry's charms may find that this impressionistic, poetically contemplative collection might just be too much of a good thing; Goldfinger--or Dances with Wolves--it isn't. Still, music this dreamily evocative can hardly be termed Muzak; it's the perfect soundtrack to a rainy, introspective afternoon or an unashamedly romantic interlude. --Jerry McCulley
">Legendary composer and 5-time O winner John Barry releases his 1st album of non-soundtrack material in 25 years! Barry is world renowned for his scores to 12 of the James Bond movies and for his soundtracks to Born Free, Out of Africa and Dancing with Wolves. Now Barry offers an album of very personal, original music featuring haunting string-drenched melodies, arresting brass and standout solos on sax and harmonica; the music is performed by the English Chamber Orchestra.
Those fond of and familiar with the often lush, romantic dimensions of five-time Academy Award winner John Barry's film scoring (exemplified by Somewhere in Time and the O-winning Out of Africa) will find much to admire here. Barry's first non-soundtrack release in a quarter-century plays like a symphonic trance, his singular genius for emotionally longing string and brass arrangements occasionally punctuated here by a lethargic, distant saxophone, plaintive harmonica, or mournful solo-horn phrase. But those previously unswayed by Barry's charms may find that this impressionistic, poetically contemplative collection might just be too much of a good thing; Goldfinger--or Dances with Wolves--it isn't. Still, music this dreamily evocative can hardly be termed Muzak; it's the perfect soundtrack to a rainy, introspective afternoon or an unashamedly romantic interlude. --Jerry McCulley
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